{"id":19309,"date":"2020-09-30T06:01:49","date_gmt":"2020-09-30T10:01:49","guid":{"rendered":"https:\/\/antilla-martinique.com\/?p=19309"},"modified":"2020-09-30T06:01:49","modified_gmt":"2020-09-30T10:01:49","slug":"art-et-industrie-bientot-une-oeuvre-monumentale-a-la-sara-publie-le-30-09-2020","status":"publish","type":"post","link":"https:\/\/antilla-martinique.com\/en\/art-et-industrie-bientot-une-oeuvre-monumentale-a-la-sara-publie-le-30-09-2020\/","title":{"rendered":"Art et Industrie : bient\u00f4t une \u0153uvre monumentale \u00e0 la SARA. (Publi\u00e9 le 30\/09\/2020. )"},"content":{"rendered":"

En mars 2020<\/span>,<\/span> RUBIS<\/span> M\u00e9c\u00e9nat<\/span> \u2013 <\/span>fonds de dotation du groupe \u00e9ponyme pour des projets artistiques et soci\u00e9taux<\/span> \u2013 <\/span>the<\/span>n\u00e7ait en\u00a0<\/span>association <\/span>avec sa fil<\/span>iale<\/span>,<\/span> la SARA<\/span>*<\/span>, un appel \u00e0 projets<\/span> pour la r\u00e9alisation d\u2019une \u0153uvre monumentale sur l\u2019un des bacs de stockage de la raffinerie. <\/span>Et c\u2019est le projet de l\u2019artiste martiniquais, Pierre <\/span>Roy-Camille, qui fut <\/span>retenu. <\/span>De quoi s\u2019agit-il\u00a0? <\/span>Pr\u00e9sentation.<\/span><\/h4>\n
\n

\u00ab\u00a0On a droit au <\/span>beau<\/span>\u00a0\u00bb, <\/span>d\u00e9clara d\u2019embl\u00e9e <\/span>Philippe Guy<\/span>, le directeur g\u00e9n\u00e9ral de la SARA, \u00ab\u00a0et <\/span>le beau c\u2019est aussi la rencontre des artistes, de l\u2019art au sens large, avec le monde <\/span>industriel<\/span>. La nuit une raffinerie ressemble \u00e9trangement \u00e0 une cath\u00e9drale des tem<\/span>ps modernes\u00a0; c\u2019est magnifique. <\/span>Il y a <\/span>so <\/span>un rapprochement qui ne s\u2019oppose pas, entre le monde artistique, culturel, et le monde industriel. \u00bb <\/span>Au sujet de la future <\/span>\u0153uvre de <\/span>P<\/span>ierre <\/span>R<\/span>oy-<\/span>C<\/span>amille<\/span>, <\/span>on en sait peu pour le moment\u00a0:<\/span> l<\/span>a cr\u00e9ation <\/span>devrait notamment arborer des couleurs noires et blanches <\/span>et s\u2019appeler <\/span>Five <\/span>hundred years ago<\/span> (<\/span>\u2018\u2019<\/span>I<\/span>l y a 500 ans\u2019\u2019<\/span>). D\u2019ailleurs<\/span> pourquoi\u00a0<\/span>ce titre <\/span>? <\/span>\u00ab\u00a0<\/span>Je travaille beaucoup sur <\/span>la th\u00e9matique du motif v\u00e9g\u00e9tal et on a tous un r\u00e9f\u00e9rent commun autour du <\/span>palmier<\/span>\u00a0\u00bb, pr\u00e9cisa l\u2019artiste, \u00ab\u00a0<\/span>c<\/span>\u2019\u00e9tait l\u2019id\u00e9e d\u2019une pr\u00e9existence de cette image<\/span> v\u00e9g\u00e9tale<\/span>, comme si elle \u00e9tait une \u00e9vidence, comme si elle avait toujours \u00e9t\u00e9 l\u00e0. Donc proposer quelque chose de tr\u00e8s lisible, qui s\u2019i<\/span>mpose comme une \u00e9vidence. C<\/span>e titre c\u2019est l<\/span>\u2019id\u00e9e d\u2019une<\/span> Martinique avant sa d\u00e9couverte<\/span> d\u2019une certaine mani\u00e8re.\u00a0\u00bb <\/span>Pour l\u2019artiste plasticien martiniquais <\/span>Ricardo\u00a0<\/span>Ozier-Lafontaine<\/span>, membre du jury pour <\/span>cet appel \u00e0 projets (et \u00ab\u00a0pr\u00e9sent\u00a0\u00bb lors de c<\/span>ette rencontre <\/span>via visioconf\u00e9<\/span>rence)<\/span>,<\/span> il s\u2019agit <\/span>l\u00e0 d\u2019un \u00ab\u00a0projet exceptionnel et d\u2019envergure<\/span> pour la Martinique<\/span>, port\u00e9 par artiste important, pr\u00e9sent \u00e0 l\u2019international*.\u00a0\u00bb<\/span> Une envergure notamment et \u00e9videmment inh\u00e9rente \u00e0 l\u2019ampleur de la surface sur laquelle Pierre Roy-Camille d\u00e9ploiera sa cr\u00e9ation\u00a0: <\/span>220 \u00e0 250 m2<\/span> (<\/span>\u00ab\u00a0<\/span>peut-\u00eatre la plus grande peinture <\/span>que j\u2019aurai r\u00e9alis\u00e9e \u00e0 ce jour <\/span>\u00bb<\/span>, glissera<\/span> l\u2019artiste<\/span>).<\/span> Tout ceci <\/span>au sein d\u2019un site ultra-s\u00e9curis\u00e9 (<\/span>r\u00e9pondant par cons<\/span>\u00e9quent \u00e0 de pr\u00e9cises exigences), <\/span>and <\/span>with <\/span>\u2013 autre enjeu <\/span>et non des moindres \u2013 <\/span>la volont\u00e9 d\u2019une visibilit\u00e9-lisibilit\u00e9 de l\u2019\u0153uvre en interne et en externe (<\/span>la future cr\u00e9ation pourra en effet \u00eatre vue depuis l\u2019autoroute<\/span>).<\/span> \u00ab\u00a0Que l\u2019exp\u00e9rience, quel<\/span>que soit le niveau de distance, soit toujours enrichissante et diff\u00e9rente<\/span>\u00a0\u00bb, pr\u00e9cisa Pierre Roy-Camille<\/span>, \u00ab\u00a0c<\/span>\u2019est <\/span>so <\/span>un vrai challenge de s\u2019engager sur un projet aussi grand\u00a0; c\u2019est stimulant (<\/span>sourire<\/span>). <\/span>\u00bb <\/span>Nous le croyons volontiers. <\/span>
\n\"\"<\/p>\n

\u00ab\u00a0<\/span>La Martinique m\u2019inspire \u00e9norm\u00e9ment encore aujourd\u2019hui <\/span>\u00bb<\/span><\/p>\n

\u00ab\u00a0<\/span>Je joue avec plusieurs codes\u00a0\u00bb, expliqua <\/span>alors l\u2019artiste <\/span>quant aux<\/span>caract\u00e9ristiques de sa cr\u00e9ation<\/span>, \u00ab\u00a0<\/span>des codes <\/span>qui sont ceux de l\u2019impression, de la publicit\u00e9 \u2013 de par la lis<\/span>ibilit\u00e9, les contrastes etc. \u2013 <\/span>donc on se demande ce qu\u2019on regarde\u00a0: une photo\u00a0? une affiche\u00a0? <\/span>une gravure ancienne\u00a0?<\/span> Je convoque <\/span>un peu <\/span>toutes ces choses.\u00a0\u00bb Et <\/span>de poursuivre\u00a0: \u00ab\u00a0<\/span>J\u2019ai v\u00e9cu une partie de ma vie en Martinique, <\/span>une partie d<\/span>e ma famille habite encore ici\u00a0;<\/span> \u00e7a <\/span>fait un bon moment que je suis parti <\/span>mais une forte partie de mon identit\u00e9 d\u2019artiste a \u00e9t\u00e9 <\/span>nourrie et <\/span>construite <\/span>pa<\/span>r mon exp\u00e9rience et ma vie ici\u00a0:<\/span> j<\/span>\u2019ai tout un propos sur le v\u00e9g\u00e9tal,<\/span>sur la puissance de la nature qu\u2019on retrouve<\/span> en Martinique<\/span>. <\/span>Et m<\/span>\u00eame si je poursuis ma carri\u00e8re <\/span>en France et \u00e0 l\u2019international – <\/span>beaucoup <\/span>en <\/span>Asie ces <\/span>d<\/span>erni\u00e8res ann\u00e9es –<\/span>,<\/span> il me tient<\/span> vraiment \u00e0 c\u0153ur <\/span>de faire des aller<\/span>s<\/span>\u2013<\/span>retours <\/span>and <\/span>from <\/span>continuer <\/span>\u00e0 apporter<\/span> \u00e0 la Martinique ce q<\/span>ue je peux lui apporter visuellement et artis<\/span>tiquement<\/span>, parce que c\u2019est un territoire<\/span> qui m\u2019inspire et me nourrit \u00e9norm\u00e9ment encore aujourd\u2019hui<\/span>. <\/span>C\u2019est vraiment un dialogue et un \u00e9chang<\/span>e permanent. <\/span>\u00bb<\/span> Ultime interrogation\u00a0: q<\/span>uelle sera la dur\u00e9e de r\u00e9alisation de cette future<\/span> work <\/span>? <\/span>\u00ab\u00a0A peu pr\u00e8s 25 jours\u00a0<\/span>from<\/span> travail<\/span>\u00a0\u00bb<\/span>, <\/span>r\u00e9pondit P<\/span>ierre Roy-Camille (qui devrait \u00ea<\/span>tre a<\/span>s<\/span>sist\u00e9 de deux autres artistes) <\/span>durant l<\/span>e mois de <\/span>novembre prochain<\/span>. <\/span>He <\/span>nous tarde d\u00e9j\u00e0 de d\u00e9couvrir<\/span> le fruit de cette rencontre entre mati\u00e8re industrielle et cr\u00e9ation artistique<\/span>. <\/span><\/p>\n

\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/span>Mike Irasque<\/span><\/p>\n

*SARA\u00a0: Soci\u00e9t\u00e9 Anonyme de la Raffinerie des Antilles<\/span>.<\/span><\/p>\n

*<\/span> N\u00e9 en Martinique en 1979, P<\/span>ierre <\/span>R<\/span>oy-<\/span>C<\/span>amille<\/span> a \u00e9t\u00e9 form\u00e9 <\/span>\u00e0 la c\u00e9l\u00e9brissime \u00e9<\/span>cole des <\/span>Beaux-Arts<\/span> from <\/span>Paris. <\/span>L\u2019artiste d\u00e9veloppe une \u0153uvre notamment d\u00e9crite comme foisonnan<\/span>te et prot\u00e9iforme<\/span>, <\/span>conjuguant <\/span>en effet <\/span>dessin, peinture, gravure, s\u00e9rigraphie, <\/span>art num\u00e9rique, vid\u00e9o, peinture murale, etc. <\/span>\u00ab\u00a0<\/span>L\u2019histoire personnelle de l\u2019artiste fait surgir <\/span>dans son travail un univers tropical mi-naturaliste mi-<\/span>fantastique<\/span>,<\/span> o\u00f9 c\u2019est la nature qui commande\u00a0\u00bb. (source\u00a0: <\/span>RUBIS M\u00e9c\u00e9nat<\/span>) <\/span>www.roy-camille.com<\/span><\/p>","protected":false},"excerpt":{"rendered":"

En mars 2020, RUBIS M\u00e9c\u00e9nat – fonds de dotation du groupe \u00e9ponyme pour des projets artistiques et soci\u00e9taux – lan\u00e7ait en\u00a0association avec sa filiale, la SARA*, un appel \u00e0 projets pour la r\u00e9alisation d\u2019une \u0153uvre monumentale sur l\u2019un des bacs de stockage de la raffinerie. Et c\u2019est le projet de l\u2019artiste martiniquais, Pierre Roy-Camille, qui<\/p>","protected":false},"author":33,"featured_media":19310,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_uf_show_specific_survey":0,"_uf_disable_surveys":false,"footnotes":"","rank_math_focus_keyword":"","rank_math_title":"","rank_math_description":"","rank_math_canonical_url":"","rank_math_robots":null,"rank_math_facebook_title":"","rank_math_facebook_description":"","rank_math_twitter_title":"","rank_math_twitter_description":""},"categories":[7],"tags":[],"class_list":["post-19309","post","type-post","status-publish","format-standard","has-post-thumbnail","category-entreprises"],"acf":[],"_links":{"self":[{"href":"https:\/\/antilla-martinique.com\/en\/wp-json\/wp\/v2\/posts\/19309","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antilla-martinique.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/antilla-martinique.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/antilla-martinique.com\/en\/wp-json\/wp\/v2\/users\/33"}],"replies":[{"embeddable":true,"href":"https:\/\/antilla-martinique.com\/en\/wp-json\/wp\/v2\/comments?post=19309"}],"version-history":[{"count":0,"href":"https:\/\/antilla-martinique.com\/en\/wp-json\/wp\/v2\/posts\/19309\/revisions"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/antilla-martinique.com\/en\/wp-json\/wp\/v2\/media\/19310"}],"wp:attachment":[{"href":"https:\/\/antilla-martinique.com\/en\/wp-json\/wp\/v2\/media?parent=19309"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/antilla-martinique.com\/en\/wp-json\/wp\/v2\/categories?post=19309"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/antilla-martinique.com\/en\/wp-json\/wp\/v2\/tags?post=19309"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}